Posts Tagged ‘Creativity & Design’

2013 Windgate Fellows Announced by UNC Asheville’s Center for Craft, Creativity & Design in Hendersonville, NC

April 30, 2013

centerforcraftcreativityanddesignlogo

UNC Asheville’s Center for Craft, Creativity & Design in Hendersonville, NC, announces the winners of the 2013 Windgate Fellowships, awarded to 10 graduating college seniors with exemplary skill in craft. Each Windgate Fellow receives $15,000 – one of the largest awards offered nationally to art students.

“The Windgate Fellowship program gives us a glimpse of the best emerging talent in the field of craft,” says Stephanie Moore, executive director of the Center for Craft, Creativity & Design. “The funds generously provided by the Windgate Charitable Foundation are critical and impact these artists in profound ways.”

Four judges reviewed a national pool of 115 applicants on the basis of artistic merit and the potential of each applicant to make significant contributions to the field of craft. The 2013 panel included: Dustin Farnsworth, 2010 Windgate Fellow and Penland resident artist; Jayson Lawfer, creator and director of The Nevica Project; Julie Muñiz, associate curator of design and decorative arts at the Oakland Museum of California; and Mark Leach, executive director of the Southeastern Center for Contemporary Art in Winston-Salem.

Winners of the 2013 Windgate Fellowships are:

Sasha Alexandra, Kansas City Art Institute, Ceramics
Emily Chase, University of Arkansas, Mixed Media/Paper
Andrea Clark, University of Kentucky, Ceramics
Gabriel Cruz-Ramirez, Minneapolis College of Art & Design, Furniture
Michael Esteban, California College of the Arts, Metal
Christopher Fong, Otis College of Art & Design, Mixed Media/Product Design
Anna Greer, University of Oregon, Jewelry
Alexandra Perez-Demma, San Diego State University, Jewelry
Madeleine Provost, Parsons the New School for Design, Textiles
Hilary Sanders, California College of the Arts, Jewelry

Since 2006, the Center for Craft, Creativity & Design has awarded the Windgate Fellowships to 80 graduating seniors working in craft representing more than 68 colleges and universities.

The Center’s mission is to advance the understanding of craft by encouraging and supporting research, scholarship and professional development.

For more information, visit (www.craftcreativitydesign.org) or call 828/890-2050.

Center for Craft, Creativity & Design in Hendersonville, NC, Announces 2012 Craft Research Fund Grant Awards

November 7, 2012

The Center for Craft, Creativity & Design (CCCD) at UNC Asheville is pleased to announce the 2012 Craft Research Fund grant awards. This is the center’s 8th year of annual awards to advance, expand and support research about craft in the United States for both graduate and professional level scholars. This national grant program is funded by a private charitable foundation.

The goals of this peer-reviewed grant are to support innovative research on critical issues in craft theory and history; to explore the interrelationships among craft, art, design and contemporary culture; to foster new cross-disciplinary approaches to scholarship in the craft field; and to advance investigation of neglected questions on craft history and criticism in the United States.

The grant program strives to support research in American Studio craft within three grant categories – Project Grants, academics and independent scholars, Graduate Research Grants, for master’s and doctoral students, and Exhibition Research Grants for curators. CCCD Executive Director Stephanie Moore states, “The Craft Research Fund provides scholars with the encouragement and financial support necessary to contribute to the scholarly discourse focused on studio craft in the United States. The ongoing need of this grant program is argued by the growth of distinguished research that has brought the field to an unprecedented level of sophistication.”

This year’s selection committee includes: Edward S. Cooke Jr., Charles F. Montgomery Professor of American Decorative Arts and Material Culture, Department of the History of Art, Yale University; George Dimock, associate professor of art history, UNC Greensboro; Leisa Rundquist, assistant professor of art history, UNC Asheville; and Tara Tappert, principal, Tappert & Associates, Archives and American Art Consultants and former Craft Research Fund grant recipient.  The committee awarded a total of $98,000 to 11 scholars.

2012 CRAFT RESEARCH FUND GRANTS

Graduate Research Grants (3 out of 13 proposals awarded)

Diana Greenwold, University of California Berkeley – $3,430 – Dissertation research to explore immigrant craft practice in American settlement houses between 1884 and 1945.

Maureen Lilly Marsh, Purdue University – $8,285 – Dissertation research for a cultural biography of the knit designer and writer Elizabeth Zimmerman, as well as knitting as emerging art and craft in late 20th Century culture.

Teresa Wilkins, Indiana University Bloomington – $8,285 – Dissertation research to investigate the construction, use and socio-political meaning of modern feather arts of Hawaii.

Project Research Grants (6 out of 23 proposals awarded)

Nicholas R. Bell, Fleur and Charles Bresler Curator of American Craft and Decorative Art, Renwick Gallery/Smithsonian – $8,000 – Editorial support for the publication that will archive the important symposium “Nation Building: Craft and Contemporary American Culture.”

Ashley Callahan, Independent Scholar – $12,500 – Research toward the book, “Southern Tufts,” which will analyze the history of tufted garments made in north Georgia as it evolved from handcraft to mechanized industry.

Jonathan Fineberg, professor of art history emeritus, University of Illinois Urbana-Campaign – $5,000 – Research for the first scholarly monograph on the work of Robert Arneson.

Irene Hollister, independent scholar, and Catherine Whalen, assistant professor, Bard Graduate Center – $8,000 – Research toward a book on Paul Hollister, critic and historian of the studio glass movement.

Jenni Sorkin, assistant professor of contemporary art history, University of Houston – $12,500 – Research for a book-length study that recovers the gendered history of weaving and its uncertain disciplinary status within the mid-twentieth century university.

Anne Stewart O’Donnell, independent scholar – $12,500 – Research toward a book on the ties between the American Arts and Crafts Movement and the rise of the greeting card industry (1900-1939).

Exhibition Research Grants (2 out of 15 proposals awarded)

Carole Frances Lung, assistant professor, California State University, Los Angeles – $8,250 – Support for the Camp CARPA project and exhibition (artistic reflection of DARPA) that plays with the idea of secret innovation in the crafts, exploring craft and its place in contemporary cultural practice.

Ezra Shales, associate professor, Massachusetts College of Art and Design – $11,250 – Research on the development of the exhibition and book focused on Marion Fosdick and Clara Nelson, women who were exhibiting artists and influential teachers at Alfred University between 1920 and 1953.

Previous year recipients can be found at (http://www.craftcreativitydesign.org/grants/craft-research-fund/).

For more information, call CCCD at 828/890-2050.

Renowned Sculptural Ceramicist Magdalene Odundo to Speak at Asheville Art Museum in Asheville, NC – Aug. 14, 2012

August 10, 2012

Magdalene Odundo, the renowned Kenyan-born sculptural ceramist and professor, will speak about her work at 6pm, Tuesday, Aug. 14, 2012 at the Asheville Art Museum in Asheville, NC. Her talk is presented in partnership with UNC Asheville’s Center for Craft, Creativity & Design (CCCD), which has sponsored Odundo’s visit as artist-in-residence in Western North Carolina.


Magdalene Odundo, Ceramic Vessel, 1997, collection of The Metropolitan Museum of Art, New York City.

Educated in Kenya, India and the Royal College of Art in London, Odundo creates sculptural ceramics influenced by traditional Nigerian and Kenyan hand-built pottery, and by Mexican blackware pottery. According to The Metropolitan Museum of Art in New York City, her blend of influences “prevents Odundo from being pigeonholed as a strictly African artist … [she] has created work unique within the landscape of contemporary art.”

Odundo is professor of Ceramics at the University for the Creative Arts in Farnham, England, and was appointed patron and trustee of the English National Society for Education of Art & Design. In 2008, she was named an Officer of the Order of the British Empire in the Queen’s Birthday Honours List for Services to the Arts.

Odundo is working with students and faculty from UNC Asheville, Western Carolina University, Appalachian State University, Warren Wilson College and Haywood Community College as part of her residency awarded by the CCCD, the 2012 International Artist in Residence, Dialogue in Clay: A Cross-Cultural Learning Experience.

Odundo’s talk is open to the public as part of $8 paid admission to the Asheville Art Museum; $7 for students with ID; free for museum members. For more information, call the CCCD at 828/890-2050.

 

 

 

UNC Asheville’s Center for Craft, Creativity & Design in Hendersonville, NC, Announces Windgate Fellowship Awards

May 2, 2011

UNC Asheville’s Center for Craft, Creativity & Design (CCCD) in Hendersonville, NC, has awarded ten graduating seniors each with $15,000 in the form of a Windgate Fellowship. More than 70 universities from across the United States were each invited to nominate two graduating seniors with exemplary skill in craft for one of the largest awards offered nationally to art students. Applicants completed an online application with images of their work and a proposal outlining how the $15,000 would enhance their careers.


Work by Meaghan Gates

“The Windgate Fellows are the best and brightest in emerging craft,” says CCCD Executive Director Stephanie Moore. “The funds generously provided by the Windgate Charitable Foundation are essential as these artists consider the practice of their work outside of the university environment, and the application of their talents in the future.”


Work by Wes Valdez

A panel of four recognized professionals reviewed the applications on the basis of artistic merit, the future promise of the applicants work, and the potential for the applicant to make significant contributions to the field of craft. This year the program came full circle and the Center added Aaron McIntosh, a former Windgate Fellow, to the selection committee. Aaron received the Fellowship in 2006 and is now teaching textiles at James Madison University. The panel also included Dr. Simon Olding, director of the Crafts Studies Centre (England), Dr. Lowery Stokes Sims, curator of the Museum of Arts and Design (New York, NY) and Kate Vogel, glass artist (Bakersville, NC).


Work by Yulie Urano

Ten students were selected from the national pool of 94 applicants including: Alida Bevirt, University of Oregon, BFA in Metals; Ryan Bogan Eastern Michigan University, BFA in Metals; Meaghan Gates, California State University Chico, BFA in Ceramics; Jason Gray, Herron School of Art and Design, BFA in Furniture Design; Adam Ledford, Tyler School of Art, Temple University, BFA in Ceramics; Rebecca Manson, Rhode Island School of Design, BFA in Ceramics; Rachel Mauser, Murray State University, BFA in Book Arts; Zoe Sargent, University of Oregon, BFA in Fiber; Yulie Urano, Kansas City Art Institute, BFA in Fiber; and Wes Valdez, Southern Illinois University, BFA in Glass.

Since 2006, CCCD has awarded the Windgate Fellowship to 60 graduating seniors working in craft representing more than 35 colleges and universities. Each recipient receives $15,000 to complete a proposal supported by the Windgate Charitable Foundation.

The mission of the Center for Craft, Creativity and Design is to advance the understanding of craft by encouraging and supporting research, scholarship and professional development.

For more information call the CCCD at 828/890-2050 or visit (www.craftcreativitydesign.org).

UNC Asheville’s Center for Craft, Creativity and Design Announces Karen Karnes Activities in WNC in April 2011

March 16, 2011

Many community events highlight renowned ceramic artist Karen Karnes, Artist in Residence at the Black Mountain College (1952-54).

If you ask any potter, they will likely know the name “Karen Karnes.” Karnes has had a long career creating some of the most iconic pottery of the late twentieth and early twenty-first centuries. This spring there are many opportunities to learn and experience more about Karen Karnes and her contributions to American studio pottery.

To begin, there are two complementary exhibitions, one exploring a lifetime of work by Karnes at the Asheville Art Museum in Asheville, NC, and a second exploring the legacy and influence of Karnes at the Penland School Art Gallery in Penland, NC. A Chosen Path: The Ceramic Art of Karen Karnes is on view at the Asheville Art Museum through June 26, 2011. The exhibit, Many Paths: A Legacy of Karen Karnes, is on view at the Penland Gallery & Visitors Center through May 8, 2011, and will display works by fourteen artists whose lives and artistic practice has been touched by Karnes.

In support of these two extraordinary exhibitions, there are a number of other opportunities to engage with Karen Karnes and her work, starting with a series of events taking place the second week of April.

Kicking off the week is a lecture at UNC-Asheville on Wednesday, Apr. 6, 2011, at 12:30pm with Mark Shapiro, editor of A Chosen Path: The Ceramic Arts of Karen Karnes. As a potter who is known for his engagement with scholarly research as it relates to his pottery, Shapiro’s lecture is titled, Exquisite Torture: Research, Writing, and Publishing from a Maker’s Perspective. This lecture will take place in UNC-A’s Owen Conference Hall. This event is free and open to the public.

On the evening of Apr. 6, 2011, at 7pm, the Black Mountain College Museum + Arts Center in Asheville, NC, will host a film screening Don’t Know, We’ll See: The Work of Karen Karnes, by Lucy Phenix. The filmmaker will be in attendance as will Karen Karnes and Mark Shapiro. Admission is $7 for non-members / $5 for BMCM+AC members and students w/ID. For info visit (www.blackmountaincollege.org).

On Thursday, Apr. 7, 2011, from 6-9pm the Asheville Art Museum will host “An Evening with Karen Karnes and special guests” a discussion and reception with Mark Shapiro, Paulus Berensehn, and Mikhail, and moderated by Andrew Glasgow. This event will take place in Diana Wortham Theatre. Admission is $8 for adults, $7 for Students & Seniors (65+). For info visit (www.ashevilleart.org).

On Friday, Apr. 8, 2011, a gallery reception will take place at Penland’s Gallery from 7-8:30pm with Karen Karnes, Mark Shapiro, and Lucy Phenix. During the day on Friday, Apr. 8, 2011, there will be a film screening, Don’t Know, We’ll See: The Work of Karen Karnes, by Lucy Phenix at 4:30pm at Ridgeway Hall at Penland School in Penland, NC.

Ending the week, on Saturday Apr. 9, 2011, you can attend the second annual “{Re}HAPPENING” event at the site of Black Mountain College, where over 50 artists of various disciplines converge for one evening in the spirit of the experimental college that was so important to American cultural history and to Karen Karnes development as a potter. For more information visit (www.rehappening.com).

For further info call 828/890-2050 or e-mail to (klee@craftcreativitydesign.org).

Center for Craft, Creativity & Design in Hendersonville, NC, Offers New Brochure on Green Art – Mar. 16, 2011

March 15, 2011

UNC Asheville’s Center for Craft, Creativity & Design in Hendersonville, NC, will unveil its new brochure, highlighting the work of two WNC art organizations that are models of “green” and sustainable practices, Energy Xchange of Burnsville, NC, and Jackson County Green Energy Park (JCGEP) in Dillsboro, NC.

The brochure, which will be available at stops along the Blue Ridge Parkway and other area travel and tourism destinations, will describe the artistic work and environmental practices of the two groups. The pamphlet is funded with a $3500 grant from the Blue Ridge National Heritage Area (BRNHA) Partnership, a nonprofit organization dedicated to preserving, interpreting, developing and celebrating the rich and unique natural and cultural heritage in the region.

The Center for Craft Creativity & Design will make its first brochure copies available at a panel discussion featuring artists from JCGEP and Energy Xchange, at 7pm, Wednesday, Mar. 16, 2011, at UNC Asheville’s Owen Hall, 3rd floor conference room in Asheville, NC. The panel, moderated by Dee Eggers, associate professor of environmental studies at UNC Asheville, includes Dan Asher, executive director of EnergyXchange; Tim Muth, executive director of JCGEP; glass and metal artist Hayden Wilson, artist in residence at JCGEP; and potter William Baker, artist in residence at EnergyXchange.

Both groups are also featured in the Center for Craft, Creativity & Design’s current exhibit, WNC Models of Sustainability in Craft Making, on view through April 22, 2011. Artists featured from JCGEP are: Clayton Hufford (glass), Hayden Wilson (glass & metal), Julie Boisseau (mixed media) and Laurey Masterton (glass). Artists in residence featured from EnergyXchange are: Lisa Gluckin (clay), Joy Tanner (clay), Michael Hatch (glass), and William Baker (clay).

“We are proud to have received this grant to produce the brochure from the BRNHA Partnership, and prouder still to highlight the artistic and environmental achievements of these two pioneering groups in our region,” said Stephanie Moore, director of UNC Asheville’s Center for Craft, Creativity & Design, which produced the brochure. “Both Energy Xchange and JCGEP fuel their operations with methane wells from adjacent landfills, they have greenhouses, and work in partnership with local small businesses. The beauty of their craft work is complemented by creative business models and dedication to sustainability.”

The mission of the Center for Craft, Creativity and Design is to advance the understanding of craft by encouraging and supporting research, scholarship and professional development.

The Center is located 5 miles west of Hendersonville at 1181 Broyles Road adjacent to the UNC Asheville Kellogg Center.  Gallery hours are noon- 5 p.m. weekdays. Visitors are invited to walk the Perry N. Rudnick one-mile nature and public art trail following a visit to the exhibition in the Craft Center galleries.

For more information see (www.craftcreativitydesign.org) or call 828/890-2050.

UNC Asheville in Asheville, NC, Offers Panel Discussion on Sustainable Practices in Craft Production – Mar. 16, 2011

March 3, 2011

Modeling “green” and sustainable approaches to craft while producing beautiful and meaningful works will be the focus of a moderated panel discussion at 7pm, Wednesday, Mar. 16, 2011, at UNC Asheville’s Owen Hall, 3rd floor conference center in Asheville, NC.

The event, sponsored by UNC Asheville’s Center for Craft, Creativity & Design (CCCD), highlights two WNC organizations – EnergyXchange of Burnsville, NC, and Jackson County Green Energy Park of Dillsboro, NC – that use methane gas captured from adjacent landfills, solar energy, and other sustainable practices to fuel the studios of potters, glassblowers and blacksmiths, as well as greenhouses.


EnergyXchange of Burnsville, NC

The panel, moderated by Dee Eggers, associate professor of environmental studies at UNC Asheville, includes Dan Asher, executive director of EnergyXchange; Tim Muth, executive director of Jackson County Green Energy Park; glass and metal artist Hayden Wilson, artist in residence at Jackson County Green Energy Park; and potter William Baker, artist in residence at EnergyXchange.


Jackson County Green Energy Park of Dillsboro, NC

“Craft media are not all inherently ‘green,’” says CCCD Executive Director Stephanie Moore. “So it is important to highlight these two organizations that are pioneers of environmental sustainability and also have business models that are pertinent to the 21st century.”

Both EnergyXchange (EE) and Jackson County Green Energy Park (JCGEP) use methane gas from capped landfills along with other alternative energy sources to fuel their artistic tools – ceramic kilns, glass furnaces and blacksmithing workstations –  and power working greenhouses. These organizations serve as business incubators for the artists in residence, working as partners with local businesses and county governments to use these renewable resources to provide economic development as well as business learning opportunities.


Glass works by Clayton Hufford

CCCD is bringing attention to these two unique and forward-thinking organizations through this panel discussion and with its current exhibit, WNC Models of Sustainability in Craft Making, on view through Apr. 22, 2011. Artists featured from JCGEP are:  Clayton Hufford (glass), Hayden Wilson (glass & metal), Julie Boisseau (mixed media) and Laurey Masterton (glass). Artists in residence featured from EE are:  Lisa Gluckin (clay), Joy Tanner (clay), Michael Hatch (glass), and William Baker (clay).

The mission of the Center for Craft, Creativity and Design is to advance the understanding of craft by encouraging and supporting research, scholarship and professional development. The Center is located 5 miles west of Hendersonville, NC, at 1181 Broyles Road adjacent to the UNC Asheville Kellogg Center. Gallery hours are noon- 5pm weekdays. Visitors are invited to walk the Perry N. Rudnick one-mile nature and public art trail following a visit to the exhibition in the Craft Center galleries.

For more information visit (www.craftcreativitydesign.org) or call 828/890-2050.


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