Number 7 Arts Gallery in Brevard, NC, Seeks Glass and Metal Artists

March 7, 2017

Number 7 Arts, a program of the Transylvania Community Arts Council, located in Brevard, NC, is seeking artists who work in the medium of blown glass and metal sculpture. The gallery, which has been in business for 18 years recently relocated to a larger space which currently showcases 38 cooperative artists.

All metal or glass artists wishing to apply may e-mail Nancy Rosenthal, Jury Chair, at (seldomscene@comporium.net), or stop by the Gallery, to receive an application.  Upon submission, the work will be reviewed by a jury committee and, if approved, will be asked to schedule an in-person interview along with 5 examples of recent work.  In addition, an artist resume’, biography and any other pertinent information will be accepted into the process for consideration.

Please stop by Number 7 Arts Gallery, located at 2 West Main Street, Brevard, NC, or contact the jury chair for further information.

The Johnson Collection in Spartanburg, SC, Offers Lecture by Metropolitan Museum Curator, Sylvia Yount – Mar. 15, 2017

March 7, 2017

Before ascending to one of the most coveted curatorial jobs in New York, Sylvia Yount spent years working in the South, where she developed a deep appreciation for the region’s culture. As the keynote speaker for the fourth annual installment of Voices in American Art, Dr. Yount, who now serves as the first female curator of the Metropolitan Museum’s iconic American Wing, will deliver a lecture that connects her Southern experiences and her achievements as a pioneering female professional with a recurring theme in her scholarship: art created by women.

Her presentation, “A Region of Their Own: Southern Women Artists,” is the centerpiece of the popular yearly symposium sponsored by the Johnson Collection. Open to the public at no charge, the event will take place at Chapman Cultural Center on Mar. 15, 2017, at 7pm. No reservations or tickets are required.

Sylvia Yount became the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art in September 2014. She is responsible for the administrative oversight of the Wing, with its ten curators and twenty-five other staff and volunteers. She also provides vision and leadership, while defining collecting, interpretation, and audience-engagement goals for the historic department of fine and decorative arts from the colonial period to the early-twentieth century. Before moving to the Met, she spent seven years as Chief Curator and the Louise B. and J. Harwood Cochrane Curator of American Art at the Virginia Museum of Fine Arts, and six as the Margaret and Terry Stent Curator of American Art and department head at the High Museum of Art. She began her curatorial career at the Pennsylvania Academy of the Fine Arts, America’s oldest art school and museum, in 1993.

In addition to completing pivotal collection reinstallations at her former institutions, Yount has organized major exhibitions (with accompanying catalogues) on Cecilia Beaux, Maxfield Parrish, and American modernism, among other topics. She received a Ph.D. and a M.A. in the History of Art from the University of Pennsylvania, and a B.A. in Italian from New York University. Yount has lectured and published widely on late nineteenth and twentieth century American art and culture as well as on issues of curatorial responsibility and current museum practice.

Created in support of the Johnson Collection’s mission to increase understanding of the dynamic role that art of the South plays in the larger context of our national history, Voices in American Art brings arts professionals from across the country to Spartanburg for annual symposiums that engage the cultural and college communities. Previous VIAA speakers include Jane Panetta, Associate Curator at the Whitney Museum of American Art; Jan Postma, Chief Financial Officer of the Museum of Modern Art; Elizabeth Pochoda, former editor of “The Magazine Antiques”; and Sarah Cash, Associate Curator of American and British paintings at the National Gallery of Art in Washington, DC.

Hailed by “The Magazine Antiques” with staging a “quiet art historical revolution” and expanding “the meaning of regional,” the Johnson Collection offers an extensive survey of artistic activity in the American South from the late eighteenth century to the present day. In May 2016, the Spartanburg-based collection received the Governor’s Elizabeth O’Neill Verner Award for the Arts, South Carolina’s highest honor in the field.

For more information, please visit (www.thejohnsoncollection.org).

Southern Highland Craft Guild Offers Arts Education at the Folk Art Center in Asheville, NC – Apr. 1, 2017

March 7, 2017

Makers of the Southern Highland Craft Guild are preparing for the launch of their 2017 special event programming at the Folk Art Center in Asheville, NC, with the second annual Glass and Metal Day. On Saturday, Apr. 1, 2017, nearly fifteen Guild members will showcase their skills and techniques of glass and metal in the auditorium of the Center. From 10am to 4pm, these masters will be blacksmithing, glass blowing, piercing and soldering metals, knife making, bezeling, repoussé, copper etching, assembling stained glass, forging and many other manipulation processes. As a non-profit organization, the Guild provides experiential learning opportunities for the public to cultivate awareness of both handmade and craft.


Michael Hatch in his furnace in Weaverville working on a vase. Photo by Sarah Carballo.

Long-time member Blenko Glass Company will be participating this year with special appearance of Walter Blenko himself, current President of the company. The founder’s grandson will be located in the Folk Art Center’s lobby at the entrance of the auditorium to sign pieces made from Blenko. Patrons and customers are invited to bring their pieces from home to have him etch the glass from 10-4pm. Located in Milton, West Virginia, Blenko Glass Company has been in business since 1893.

Member Ruthie Cohen will be one of several jewelers working with precious metals as she bezels and forges them into fine adornments. Cohen is an advocate of craft education as teaches at her Mountain Metalsmiths School of Jewelry & Lapidary in Arden.


Jewelry by Erica Stankwych Bailey. She uses various techniques to forge unique collections for all.

Visitors will have the opportunity to watch and learn more about two of the original craft media. Glassblower Michael Hatch of Crucible Glassworks will be using a small kiln to exhibit the quick thought process of blown glass. While Laurie Young and Christian Arnold of Australian Art Glass will demonstrate fusing and torching glass into ornate, decorative pieces.

The Guild’s education series of events are a significant channel that members use to explain their creative process. Providing craft consumers with knowledge and the story behind their investment is an equally important part of the Guild’s mission to the buying public.

For a complete list of artists participating in Glass & Metal Day, and to learn more about Southern Highland Craft Guild programs at the Folk Art Center call 828/298-7928 or visit (www.craftguild.org).

Admission to Glass & Metal Day and the Folk Art Center is free. The Folk Art Center is located at Milepost 382 on the Blue Ridge Parkway in east Asheville. Headquarters to the Southern Highland Craft Guild, the Center also houses three galleries, a library, a craft shop and a Blue Ridge Parkway information desk and bookstore.

The Southern Highland Craft Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC.

Glass & Metal Day 2017, demonstrating artists include:

Erica Bailey, jewelry
Amy Brandenburg, jewelry
Ruthie Cohen & David Alberts, jewelry
Rachelle Davis, jewelry
Michael Hatch, glass blowing
Cecile Keith, metalsmithing
Greg Magruder, stained glass
Jay Pfeil, copper etching
Lyle Wheeler, blacksmithing
Christian Arnold, blown glass
Laurie Young, blown glass
Cheryl Stippich, stained glass
Blenko Glass, glass signing

Fabulon, a Center for Art and Education in Charleston, SC, Offers Works Focused Against Racism

March 6, 2017

Fabulon, a Center for Art and Education, located at 1017 Wappoo Road, in the West Ashley area of Charleston, SC, is presenting “We The People”, an exhibit promoting messages of peace and harmony, speaking out against racism, from Mar, 4 – 30, 2017. A reception will be held on Mar. 10, from 5-8pm.

Artist from across the nation have illustrated feelings, concerns, and some hope. There will be live drumming, refreshments, and information. Please join us. All are welcome and the event is free. Your presence alone can send a message that Charleston isn’t a place for hate.

Guest artists include: Robin Apple, Liz Aitken, Janet Braun-Reinitz, Kelly Burke, Micheline Callicott, Owens Daniels, Michel Demanche, Andrew Feiler, Dorian Hamilton, Julia Maudlin, Michael O’Donnell & Wendy Hacker, Megan Potoma, Lynne Riding, Caroline Self, Sally Ann Sisk, Michael Spillers, Pat Van de Graaf, Henry Wolfe,
and Andrea Zinn.

Fabulon resident artists include: Bly Triplett, Hampton R. Olfus, Jr. , Louise Aug, Meyriel Edge, and Susan Irish.

Janet Braun-Reinitz was a freedom rider, Andrew Feiler wrote a book, and Micheline Callicott is a teacher. Each artist has a story. Look for profiles of each one to be posted on social media.

For further information call the gallery at 843/566-3383 or visit (www.fabulonart.com).

The March 2017 Issue of “Carolina Arts” is Now Ready to Download

March 1, 2017

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The March 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/317/317carolinaarts.html) – all 70 pages of it – ten more than last month.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.
If you want to get something in the April 2017 issue – send it now or as soon as you can. Don’t wait till the Mar. 24th deadline. I warned people last month about the short month and that they should get their info in early as we would have to move at a break-neck speed to get the March issue done. Unfortunately a few didn’t listen or didn’t read my commentary and they got left behind on the – after deadline e-mail pile. Don’t ever wait for the last minute to participate. Time waits for no one.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com

Inside/Out Brings Art to Area Neighborhoods in Charlotte, NC

February 28, 2017

Imagine encountering Andy Warhol’s “Marilyn” outside a YMCA or emerging artist Jordan Casteel’s “Kevin The Kite Man” in the middle of a park. Charlotteans will be able to participate in this experience beginning in April when the Bechtler Museum of Modern Art and the Harvey B. Gantt Center for African-American Arts + Culture, in Charlotte, NC, launch Inside/Out Charlotte. The Inside/Out Charlotte initiative is a part of the John S. and James L. Knight Foundation’s national effort to share collections and bring art into communities.

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This public exhibition and outreach program will reach into the greater Charlotte-Mecklenburg area to strengthen knowledge, understanding and appreciation for visual art. The program places framed, high-quality reproductions of artworks on display at the Bechtler Museum and Gantt Center for community members to encounter and enjoy programming specifically designed for each installation. Inside/Out Charlotte will launch in the spring highlighting artworks that reflect the diversity of the museums’ collections and broad interests in the communities.

The program started eight years ago at the Detroit Institute of Arts and now includes partners around the nation; the Philadelphia Museum of Art, Akron Art Museum, and Perez Art Museum Miami. The Knight Foundation has funded the expansion to additional cities including Charlotte.

“There’s something very powerful about seeing works of art in person. You become completely immersed. Inside/Out brings that experience to people, directly in their communities, and an amazing thing happens: entire neighborhoods, entire communities, start to talk about art,” said Victoria Rogers, vice president for arts at Knight Foundation.

Residents, families and friends in the participating communities will be able to walk through the park or hop on a bike and encounter art in unexpected places and enjoy each exciting outdoor exhibition. The Bechtler and the Gantt Center, in conjunction with the partner communities, will plan educational opportunities and other fun activities, such as bicycle and walking tours, community discussions, musical performances and more.

Inside/Out Charlotte is now in the process of asking city and community representatives, development authorities and arts organizations interested in being part of the museums’ new program. Communities can choose one of two exhibition periods: spring, from April to July, or fall, from September to December. Selected communities will have the opportunity to host five to eight reproductions within walking or bike-riding distance from each other. In all, up to 60 reproduced artworks will be on display around Charlotte in the spring and an additional 80 works in the fall.

Communities and businesses that take part will be promoted through the Inside/Out Charlotte website, Facebook, Twitter, Instagram and more. The museum installs the reproductions and can assist community leaders in developing educational programs that engage people and inspire them to visit the Bechtler and the Gantt Center. To learn more, visit the Inside/Out Charlotte website at (InsideOutCLT.org).

The Harvey B. Gantt Center for African-American Arts + Culture presents, preserves and celebrates excellence in the art, history and culture of African-Americans and those of African descent. The Center is located at Levine Center for the Arts 551 South Tryon Street, Charlotte, NC 28202. Operating hours are Sun., from 1-5pm; Monday: Closed, Tue.-Sat., from 10am-5pm.

The Bechtler Museum of Modern Art is dedicated to the exhibition of mid-20th-century modern art. It is named after the family of Andreas Bechtler who assembled and inherited a collection created by seminal figures of modernism. The museum is located at Levine Center for the Arts, 420 South Tryon Street, Charlotte 28202. Operating hours are Mon., Wed., Thur., Fri, and Sat., 10am-5pm; Sun., noon-5pm; and closed Tue.

The John S. and James L. Knight Foundation is a national foundation with strong local roots. We invest in journalism, in the arts, and in the success of cities where brothers John S. and James L. Knight once published newspapers. Our goal is to foster informed and engaged communities, which we believe are essential for a healthy democracy.”

For further information contact Sharon Holm, Bechtler Museum of Modern Art Director of Marketing and Communications, by e-mail at (sharon.holm@bechtler.org) or call 704/353-9204.

WNC Artist Virginia Pendergrass Has Work Selected For American Impressionist Society’s Exhibit in Costa Mesa, CA

February 28, 2017

A plein air oil of the Black Balsam trailhead, titled “Summer Clouds- Black Balsam,” by Trackside Studios painter Virginia Pendergrass was selected for American Impressionist Society (AIS) “Impressions: Small Works Showcase.” This juried exhibit of 200 small works by top-flight impressionist artists will be at the Randy Higbee Gallery in Costa Mesa, CA,  March 11-25, 2017.

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“Summer Clouds- Black Balsam” by Virginia Pendergrass

The Black Balsam trailhead parking area just off the Blue Ridge is a favorite spot of Western North Carolina landscape painters. A Western North Carolina summer presents some painting challenges, however. One NC artist noted that summers here are green, green green- no surprise in our huge Pisgah National Forest. He joked that he knew NC artists who moved to California in order to escape mixing greens.

Pendergrass solved the problem of greens with her tricolor palette (red, blue and yellow + white). “Yellow and blue make a green mother pool. Adding more blue to some of the original mix results in a cool green. Adding more yellow produces a warm green. Adding a little red to these mixes warms and dulls them. Adding white lightens and cools all the mixes.”

Pendergrass is a signature member of AIS. Her paintings can be seen locally at Trackside Studios in the Asheville River Arts District, Silver Fox Gallery in Hendersonville, and Art Works in Brevard, NC. More of her art is available online at (www.virginiapendergrass.com).

To see online images of the entire “Impressions: Small Works Showcase,” go to the American Impressionist Society’s website at (https://aisi.wildapricot.org).

Arts Council of York County Now Accepting Proposals for Dalton Gallery 2018 in Rock Hill, SC – Deadline is May 1, 2017

February 28, 2017

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The Arts Council of York County is now accepting applications for 2018 gallery exhibitions in the Dalton Gallery at the Center for the Arts, 121 East Main Street, Rock Hill, SC. The Arts Council is a non-profit organization committed to creating and supporting a thriving arts community in York County, South Carolina. The Dalton Gallery is a professional gallery appropriated for the exhibition of experienced artists and community projects. It is an 1,800-square-foot space, illuminated by adjustable track lighting.

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Work by Chung Chak

Each year the Arts Council presents eight exhibits. Artists wishing to be considered for one of the Arts Council’s 2018 gallery exhibitions, please submit the following to Mike Gentry, Gallery Manager for the Arts Council:

• $20 application fee (non-refundable)
• 10 hi-res jpeg images submitted on CD or DVD (Mac or PC formatted    discs please)
• Inventory lists, with titles, sizes, and mediums
• Artist Resume
• Written proposal for exhibition and/or artist statement

All entries must be submitted no later than 5pm on Monday, May 1, 2017. Artists may submit work as a group or individually. The Arts Council’s Gallery Committee will consider all submissions and notification of acceptance will be provided via e-mail. Submission packets will not be returned. Only complete proposals that adhere to the Arts Council’s submission guidelines will be considered. Works that sell while on exhibit at the Center for the Arts are subject to a 40% commission fee by the Arts Council of York County.

*Payments in the form of cash, credit card or check will be accepted. All checks must be payable to the Arts Council of York County.

Mail to:
ACYC Attn: Mike Gentry
PO Box 2797
Rock Hill, SC 29732

Deliver to:
Center for the Arts
121 E. Main St.
Rock Hill, SC 29730

The Arts Council is headquartered in downtown Rock Hill, SC’s first state-recognized cultural district. For more information on Arts Council events, contact the Arts Council of York County at 803/328-2787, by e-mail at (arts@yorkcountyarts.org), or visit (http://www.yorkcountyarts.org).

The University of South Carolina’s School of Visual Art and Design Offer 62nd Annual Art Auction, on Mar. 29, 2017, at McMaster Gallery in Columbia, SC

February 28, 2017

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The 62nd Annual Art Auction will be held on Mar. 28, 2017, from 6-9pm at the McMaster Gallery in Columbia, SC. The event will include original artworks of a variety of mediums including: sculpture, printmaking, photography, drawing, painting and ceramics made by faculty, current students, and alumni of the University of South Carolina’s School of Visual Art and Design and artists within the community including:

Alfred Birdsey
Jeremy Butler
Jamie Berry
Carl Craighead
Olivia Daouphars
Naomi Falk
Sharon Funderburk
Bonnie Goldberg
Lauren Greenwald
Julie Hamer
Edmari Hernandez-Silen
Mana Hewitt
Howard Hunt
Joshua Jackson
Wesley Nicole Jefferies
Bri Kinard
Marcella Kuykendall
Bobbi Leavens
Alicia Leeke
Shannon Rae Lindsey
Sean McGuinness
Erin Mitchell
Jane Nodine
Carol Pittman
Cameron Porter
Kathleen Robbins
Mary Robinson
Ellie Rose
Sara Schneckloth
Virginia Scotchie
Blue Sky
Greyson Smith
Alexandra Stasko
John Henry Tecklenburg
Olaf Tollefsen
Moses Tsai
Cody Unkart
Noah Valentim
Evelyn Wong

These artworks will go to the highest bidders Wednesday March 29, 2017 from 6-9pm in the McMaster Gallery at the 62nd Annual USC Art Auction. The event is free and open to the public and light refreshments will be provided.

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Work by Alicia Leeke

The artwork will be on display for public viewing starting at 1pm on March 29. Anyone who cannot attend the Art Auction event can fill out an Absentee Form to participate. There will be a Preview Party at 6pm followed by the Live Auction at 6:30pm. The Silent Auction will be open at 6pm and close about 30 minutes after the Live Auction ends.

The auction is sponsored by the School of Visual Art and Design in the university’s College of Arts and Sciences. Proceeds from the auctioned works are divided between the artists and the university’s art scholarship and gallery fund. Credit cards (excluding Discover) and checks will be accepted.

This popular event will be held at McMaster Gallery located in the University of South Carolina’s School of Visual Art and Design at 1615 Senate Street, Columbia, SC, with accessible street parking on Pickens, Senate, and Henderson.

Please see website for additional details and image gallery at (http://artsandsciences.sc.edu/art/62nd-annual-art-auction).

For more information, contact Shannon Lindsey, Gallery Director and organizer of this year’s event, at 803/777-5752, 803/777-4236, or e-mail to (slindsey@email.sc.edu).

Florence County Museum in Florence, SC, Offers Reception and Lecture with Yvette Cummings – March 17, 2017

February 28, 2017

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The Florence County Museum in Florence, SC, is pleased to announce an afternoon reception and lecture with contemporary South Carolina artist, Yvette Cummings.

The lecture, titled “Remember Everything” will address her current body of work, including the ongoing “Voyeur Series”, which deals with psychological, social, and gender issues, and their personal and cultural contexts in her art.

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Yvette L. Cummings, pictured with her 2017 Pee Dee Regional Art Competition 1st place painting, “When the Magpie Came”.

In addition to winning the First Place award in the museum’s 2017 Pee Dee Regional Art Competition, Cummings has recently received the 701 CCA Prize, 2016, for artists 40 years and younger.

The lecture will be held in the FCM Waters Gallery reception hall, 125 South Dargan St, from noon to 1pm, Friday, March 17, 2017. The event is free to the public.

For more information about its free public programs, contact the Florence County Museum at 843/676-1200 or visit (www.flocomuseum.org).