Archive for the ‘Columbia SC Visual Arts’ Category

A Sojourn to Spain with Ramón y Cajal: Fulbright España Senior Research Fellowship Awarded to Dawn Hunter

August 31, 2017

The prestigious Fulbright España Senior Research Fellowship had been awarded to Dawn Hunter, an associate professor in the School of Visual Art and Design at the University of South Carolina, Columbia, SC.

The award is in support of her new series of drawings and paintings titled Aesthetic Instincts: the Intersection of Art and Science in the life of Santiago Ramón y Cajal. This new body of artwork is an immersive, comprehensive biographical project that, through visual art, examines and represents the life of Santiago Ramón y Cajal (May 1, 1852 – October 17, 1934). Ramón y Cajal was a Spanish scientist and the first person to demonstrate that the nervous system was made up of individual units (neurons) that were independent of one another but linked together at points of functional contact called synapses. Ramón y Cajal illustrated the results of his studies with elegant drawings of neurons that he proposed work independently or collectively, and that each individual unit can participate simultaneously in individual or multiple neuron functions. Ramón y Cajal was a 1906 Nobel Laureate in Physiology or Medicine that was awarded jointly to another neuroscientist, Camillo Golgi “in recognition of their work on the structure of the nervous system,” however, their research was mutually exclusive and embraced opposing theses. Santiago Ramón y Cajal is considered by many to be the father of modern neuroscience.


Dawn Hunter, “Portrait of Cajal in Pyramidal Neurons”, ink and pen on paper, 2015

Hunter said: “It is an honor to receive such a tremendous life-changing opportunity. I am immensely thankful to everyone at my University, the NIH and the Instituto Cajal who have helped me in the development and realization of this project. I am particularly grateful the Dr. Jim Augustine for believing in the vision of my idea and encouraging me to invest in this creative endeavor. Cajal was such a fascinating and inspiring individual. I look forward to deepening my understanding of him and his work through this upcoming sojourn in Spain.”


Dawn Hunter, detail from “Cajal Inventory: Silveriahead”, heart and spine, graphite, ink and acrylic on paper, 11″ x 14,” 2016

While in Spain, Hunter will continue the development of her creative project by researching the archives of the Cajal Legacy of the Cajal Institute or Instituto Cajal. The Cajal Legacy contains many items bequeathed to the Instituto Cajal, which includes some research items like microscopes, manuscripts, medals, as well as Cajal’s scientific drawings and photographs. The Instituto Cajal is the oldest neurobiology research center in Spain which belongs to the Spanish National Research Council (CSIC). The Cajal Institute originates from the Laboratorio de Investigaciones Biológicas, founded in 1900 by order of King Alfonso XIII in honor of the Moscow Prize awarded to Santiago Ramón y Cajal.

Dr. Juan De Carlos, the curator of the Cajal Legacy, invited Hunter to apply for a Fulbright at the Instituto Cajal after meeting her and seeing her speak at a professional meeting hosted by the National Institute of Health, Bethesda, MD. NINDS Senior Investigator, Jeff Diamond, invited Hunter to deliver a presentation at the first international symposium honoring Cajal, October 2015 held at the NIH. Hunter also participated in the second international conference, May 2017 held at the Instituto Cajal, Madrid, Spain.


Dawn Hunter with Cajal Inventory exhibition, May 2017, Instituto Cajal, Madrid Spain – exhibition was held as part of the 2nd Collaborative International Symposium honor Cajal coordinated by the National Institute of Health, Bethesda, MD and the Instituto Cajal, Madrid, Spain.

Fulbright Scholar awards are made possible through funds appropriated annually by the US Congress, contributions from partner countries and the private sector. The Fulbright program aims to increase mutual understanding between the people of the United States and people of other nations.

Dawn Hunter pursued her undergraduate studies at the Kansas City Art Institute (BFA), Parsons School of Design, and the Yale Norfolk Summer School of Art & Music. As a Regents Fellow, she received her MFA from the University of California, Davis. She has participated in numerous solo and multiple artist exhibitions throughout the United States, Europe, and Australia. Additionally, she has also received many awards and grants for her artwork, most notably, a Starr Foundation Fellowship, enabling her to be the first American woman to serve as Artist-in-Residence at the Royal Academy of Art, London. A selection of seven artworks from her series, Aesthetic Instincts: the Intersection of Art and Science in the life of Santiago Ramón y Cajal, are currently on display alongside several original scientific drawings completed by Cajal at the John Porter Neuroscience Research Center at the National Institute of Health, Bethesda, MD. NINDS Senior Investigator, Jeff Diamond curated the exhibition.

For further information e-mail to (dawnmariehunter@yahoo.com) or visit (www.dawnhunterart.com).

 

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Columbia Museum of Art in Columbia, SC, Appoints New Executive Director Della Watkins

August 9, 2017

The board of trustees of the Columbia Museum of Art (CMA) in Columbia, SC, announces the appointment of Della Watkins as the new executive director. Watkins currently serves as the executive director of the Taubman Museum of Art in Roanoke, VA.

“We heard it consistently from her current board and Mr. Taubman himself, one of Della’s greatest strengths is her engagement in the community,” says CMA Search Committee Chair Earl Ellis. “That was a very important factor in our consideration set. The Columbia Museum of Art is a community asset, and we were seeking a proven leader who had demonstrated strengths in community engagement.”

After 14 years of working as an art educator, Watkins began her career in museum education at the Virginia Museum of Fine Arts, where she held successively more senior roles during her 16-year tenure. Watkins joined the Taubman Museum of Art in 2013. Under her leadership, the museum completed build-out of the last remaining gallery space that now hosts major national traveling exhibitions, reclaimed financial stability through steady fundraising, and forged new collegial partnerships in Roanoke and beyond to champion the region’s arts and culture community.

“After a thorough search process, selecting Watkins was a clear choice to lead this dynamic organization,” says CMA Board President R. Scott McClelland. “Her experience and passion allowed the search committee to check every box for leadership attributes essential to achieving the next step in the museum’s vision.”

Watkins officially takes the helm as executive director on October 1, 2017.

“With the completion of the renovation next year, the Columbia Museum of Art is poised to take an even greater leadership role as a vibrant local and statewide arts and education powerhouse,” says Watkins. “I look forward to working tirelessly to get to know the community, grow membership, friends, donors, business supporters, colleagues, and partners. Together, we’ll ensure that the CMA is a proud and lively cultural arts destination for everyone in South Carolina and beyond.”

The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all. Located in the heart of downtown Columbia, S.C., the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history. Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds. It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Elizabeth O’Neill Verner Governor’s Awards for the Arts for outstanding contributions to the arts in South Carolina.

To learn more, visit (www.columbiamuseum.org).

Stakeholders Announce Plans for “Southern Lights,” a Signature Art Installation for Columbia, SC

June 29, 2017

Southern Lights, a signature, long-term art installation by artist Chris Robinson, will span the Congaree River between the Blossom Street and Gervais Street bridges in Columbia, SC. Scheduled to light up every evening in Cayce, West Columbia and Columbia for the next decade, this installation is coming to fruition through supporters including, What’s Next Midlands, the Congaree Vista Guild, the South Carolina State Museum, EdVenture, the City of Columbia and One Columbia for Arts and History. The laser installation will launch on Saturday, Aug. 19, 2017, as part of the Total Solar Eclipse Weekend celebrations.

With the support of the cities of Columbia, West Columbia and Cayce and Richland County, the installation’s design is meant to connect our cities and the Midlands community. The project offers an innovative approach to public art and celebrates and highlights public infrastructure uniquely. Southern Lights will be the only installation of its kind in the United States, and celebrates the work of Charles Townes, a native South Carolinian whose theories led to the development of laser technology.

“Southern Lights is a product of What’s Next Midlands and an example of our community coming together to move our region forward,” said Meghan Hickman, executive director of EngenuitySC. “This will be a signature piece for our community and a must-see for tourists, and we’re proud to be formally introducing Southern Lights as part of the Total Solar Eclipse Weekend.”

Along with leadership and support from the communities who touch the bridges, leaders in the Midlands business community, including Blue Cross Blue Shield, are sponsoring the project, which will cost an estimated total of $120,000, a value for a signature art piece that will be part of the fabric of our region for a decade.

Chris Robinson, a professor in the School of Visual Art and Design at the University of South Carolina, concentrates on contemporary science and technology and its role in decision-making through installations and digital drawings. He holds a BFA from Florida State and an MFA from the University of Massachusetts and is the recipient of many awards including the Leonardo da Vinci Space Art Award and the Palmetto Pillar Award, along with many competitive art awards. He has lectured, written and exhibited extensively throughout the Americas, Europe and Asia.

Robinson has completed dozens of large-scale installations in his career, most notably installations on the National Mall in Washington, DC, (in conjunction with Rockne Krebs), and in Columbia his light installation at the celebration of the opening of the South Carolina State Museum in 1989 and for the Governor’s Carol Lighting at the South Carolina State House in 1992.

“My installations create a sculptural structure, draw attention to interesting aspects of the surrounding environment and illuminate the distinctive quality of laser light,” said Robinson. “The Congaree River is special and unusual in that it is relatively dark in the middle of an urban environment and the beams can go both under and over the bridges and the viewers.”

Southern Lights is representative of Robinson’s body of work and marks the end of Robinson’s academic career in the School of Visual Art & Design at the University of South Carolina (May 31, 2017). Robinson will become chair of the Department of Art at USC Beaufort this fall.

Robinson will have Southern Lights completely installed by August 2017 but will test the lasers along the way. Two lasers are installed at points on the banks of the Congaree River. One laser is at the City pump station below Founders Park, the USC baseball stadium, and the other is at EdVenture. Additionally, a series of mirrors that will reflect the lasers will be placed on existing structures, including on the rooftop of Bridgepointe Condominiums in West Columbia. The lasers are blue and green in color and mirrors along the river and on the bridges will reflect the lasers. Viewers who take in the installation can expect Southern Lights to look different from different vantage points.

Southern Lights will formally kick off at an event on Saturday, August 19 in the evening in celebration of the Total Solar Eclipse Weekend. The tie-in with the eclipse means that our region’s new signature art piece will be celebrated by locals and tourists alike. Stay tuned to (SouthernLightsSC.com) for event details.

This installation is slated to light up the night for three hours every evening for the next 10 years, (times will change depending on what time the sun sets) or as long as the equipment holds up. The City of Columbia is committed to the ongoing maintenance and management of Southern Lights, as is the South Carolina State Museum. Those who cross the Gervais and Blossom Street bridges or visit the riverfront regularly will be able to take in Southern Lights, and with signage and wayfinding surrounding Southern Lights to come, visitors to the region will discover this major attraction for years to come.

For more information on Southern Lights, visit (SouthernLightsSC.com) and on social media via #SouthernLightsSC.

The Columbia Museum of Art in Columbia, SC, Reduces Admission Prices During Renovations

June 12, 2017

The Columbia Museum of Art in Columbia, SC, announces specially reduced admission pricing for the duration of building renovations, scheduled for completion in the fall of 2018. Museumgoers gain entry for half the regular amount: Adults are now $6, seniors and military $5, and students $2.50. Children six years old and under remain free.

This initiative is partially funded through the Karen Brosius National Medal Fund, established last year to honor Karen Brosius, who served as CMA executive director from 2004 – 2016. The fund benefits CMA programs, exhibitions, and opportunities with dynamic approaches to public service.

“In the years I worked with Karen, I saw firsthand her passion for arts accessibility,” says R. Scott McClelland, president of the CMA board of trustees. “She was a driving force behind our National Medal win and the fact that a third of our programs are free. We thought this was a great chance to honor her dedication and service in a way that benefits our community.”

The onset of reduced admission pricing coincided with the opening of the summer exhibition “ReTooled: Highlights of the Hechinger Collection”, on view Friday, June 2, through Sunday, Aug. 27, 2017.

“The museum is staying active during renovations, and we want to make it that much easier for people to participate in our full schedule of exhibitions and programs,” says Lynn Robertson, CMA interim director. “Beyond the hammers and drills, we still have plenty to see and do.”

For more information, visit (www.columbiamuseum.org).

The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all. Located in the heart of downtown Columbia, the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history. Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds. It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Elizabeth O’Neill Verner Governor’s Awards for the Arts for outstanding contributions to the arts in South Carolina. To learn more, visit (www.columbiamuseum.org).

City of West Columbia (SC) to Host Art on State – A Celebration of Art Month, April 7, 2017, with the State Street Art Crawl

April 3, 2017

The City of West Columbia (SC) invites you to Art on State – A Celebration of Art Month on the 100 Block of State Street on Friday, April 7, 2017, from 5-8pm. The event will feature live music by Flat Out Strangers, and food and drink from Size Matters BBQ Bus and other restaurants on State Street. There will be live street mural paintings by Alicia Leeke, Art & Murals by B.A. Homan, Dylan Fouste, Jamie Blackburn, Lucas Sams, Michael Cassidy Painting, Michael Krajewski, and Sammy Lopez. Businesses on State Street will have specials for the event. Come enjoy the beautiful view of the city skyline, dine, stroll and immerse yourself in art!

The State Street Art Crawl will also feature local artist Melony Stuckey and local artisan, Mardi Renn, at It’s the Little Things, “Jocelyn Chateauvert: Recent Works” at Gallery West, and “Jaclyn Wukela’s Frame of Mind” at Frame of Mind.

For further info call Anna Huffman, Public Information Officer at 803/939-8613.

The University of South Carolina’s School of Visual Art and Design Offer 62nd Annual Art Auction, on Mar. 29, 2017, at McMaster Gallery in Columbia, SC

February 28, 2017

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The 62nd Annual Art Auction will be held on Mar. 28, 2017, from 6-9pm at the McMaster Gallery in Columbia, SC. The event will include original artworks of a variety of mediums including: sculpture, printmaking, photography, drawing, painting and ceramics made by faculty, current students, and alumni of the University of South Carolina’s School of Visual Art and Design and artists within the community including:

Alfred Birdsey
Jeremy Butler
Jamie Berry
Carl Craighead
Olivia Daouphars
Naomi Falk
Sharon Funderburk
Bonnie Goldberg
Lauren Greenwald
Julie Hamer
Edmari Hernandez-Silen
Mana Hewitt
Howard Hunt
Joshua Jackson
Wesley Nicole Jefferies
Bri Kinard
Marcella Kuykendall
Bobbi Leavens
Alicia Leeke
Shannon Rae Lindsey
Sean McGuinness
Erin Mitchell
Jane Nodine
Carol Pittman
Cameron Porter
Kathleen Robbins
Mary Robinson
Ellie Rose
Sara Schneckloth
Virginia Scotchie
Blue Sky
Greyson Smith
Alexandra Stasko
John Henry Tecklenburg
Olaf Tollefsen
Moses Tsai
Cody Unkart
Noah Valentim
Evelyn Wong

These artworks will go to the highest bidders Wednesday March 29, 2017 from 6-9pm in the McMaster Gallery at the 62nd Annual USC Art Auction. The event is free and open to the public and light refreshments will be provided.

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Work by Alicia Leeke

The artwork will be on display for public viewing starting at 1pm on March 29. Anyone who cannot attend the Art Auction event can fill out an Absentee Form to participate. There will be a Preview Party at 6pm followed by the Live Auction at 6:30pm. The Silent Auction will be open at 6pm and close about 30 minutes after the Live Auction ends.

The auction is sponsored by the School of Visual Art and Design in the university’s College of Arts and Sciences. Proceeds from the auctioned works are divided between the artists and the university’s art scholarship and gallery fund. Credit cards (excluding Discover) and checks will be accepted.

This popular event will be held at McMaster Gallery located in the University of South Carolina’s School of Visual Art and Design at 1615 Senate Street, Columbia, SC, with accessible street parking on Pickens, Senate, and Henderson.

Please see website for additional details and image gallery at (http://artsandsciences.sc.edu/art/62nd-annual-art-auction).

For more information, contact Shannon Lindsey, Gallery Director and organizer of this year’s event, at 803/777-5752, 803/777-4236, or e-mail to (slindsey@email.sc.edu).

Columbia Museum of Art in Columbia, SC Enters Renovation Project

February 27, 2017

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As has been announced, the Columbia Museum of Art in Columbia, SC, is embarking on major renovations to create more galleries, studios, and spaces for programs and events. The first step in the schedule to directly impact the public will be the closing of the CMA collection galleries on Monday, Mar. 13, 2017, so that construction on the second floor can begin. Throughout renovations, the CMA will continue its full exhibition schedule with related programs, ensuring that there is always art on view.

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Gallery Tour: Highlights of the CMA Collection: March 2, at 5:30pm and Sundays, March 5 and 12, at 2pm and 3pm.

Visitors are invited to learn more about the museum’s exciting collection in the final public tours before gallery renovations begin. A guided tour provides an overview of European and American art in the CMA collection. This family-friendly tour features masterpieces of the Italian Renaissance, Baroque, and Rococo from the Samuel H. Kress Collection, and the American galleries. Free.

Passport to Art: Hit the Highlights: March 12, noon – 3pm.

This year-round program for families features a different theme and hands-on art project each month. This time, Passport to Art takes a look at some museum favorites on the last day the collection is on view before renovations begin. Participants can get inspired at 1pm, with a “so long” (but not farewell!) tour of the galleries and create their own masterpieces in the studio. Free.

Art Explorer Backpacks and Gallery Guides

Art Explorer Backpacks are designed to encourage families to have fun in the galleries with interactive activities. Each backpack includes a sketchbook with colored pencils, a pair of binoculars, a picture book, games, and hands-on activities that relate to the theme of the backpack chosen. They can be checked out free of charge at the visitor services desk.

Gallery guides include insider information about some of the works on view and a gallery hunt to discover shapes, patterns, and more. Available for free in the CMA lobby.

Multimedia TAP tours of the CMA collection and exhibitions provide supplemental information on certain pieces through text, audio, and video. They are available free online and designed specifically for functionality with mobile devices. For those without smart devices or headphones, iPads and headphones are provided free of charge at the visitor services desk.

For more information on renovations, visit (columbiamuseum.org/about/cma-capital-campaign). For more information on programs, visit (columbiamuseum.org/happenings). To access TAP tours, visit (columbiamuseum.org/learn/multimedia-tours).

Columbia Museum of Art in Columbia, SC, Aquires Works from the Exhibition “REMIX: Themes and Variations in African-American Art” – Talk Offered on Feb. 16, 2017

February 10, 2017

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The Columbia Museum of Art  in Columbia, SC, announces the acquisition of four major works of art previously on view as part of the seminal spring 2016 exhibition “REMIX: Themes and Variations in African-American Art”. The acquisition consists of powerful pieces from artists Bing Davis, Renée Cox, Michaela Pilar Brown, and Colin Quashie. The latter two artists will discuss their works and creative processes as part of the “REMIX/REDUX” lecture and reception presented by the Friends of African American Art & Culture (FAAAC) on Feb. 16, at 6pm.

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Clockwise from top left: Details from Renée Cox’s “Liberation of Aunt Jemima” and “Uncle Ben”, Michaela Pilar Brown’s “Speak No”, Colin Quashie’s “Plantation Monopoly”, and Bing Davis’ “Ancestral Spirit Dance #568”.

“Our goal with “REMIX” was to raise awareness of contemporary African-American art and the mercurial yet magical nature of a ‘remixed’ methodology,” says Will South, CMA chief curator. “The acquisition of these phenomenal pieces helps these important and challenging conversations to continue.”

Among the four newly acquired works is “Ancestral Spirit Dance #568” by Willis “Bing” Davis of Dayton, OH. An artist and art educator who unabashedly looks to the distant past, Davis has created an ongoing series of sparkling pastels based on the high-energy patterns of African kente cloth made by the Asante peoples of Ghana and the Ewe peoples of Ghana and Togo. Davis riffs on these patterns in the vein of a soloing musician, exploding them out into a riot of colorful abstraction.

Jamaican-American photographer Renée Cox draws inspiration from the history of women artists remixing images to make powerful statements about liberation, leadership, and revolution. In her elaborately staged photographic collage “Liberation of Aunt Jemima and Uncle Ben”, Cox herself assumes the identity of the superhero character Raje stridently leading the titular characters, who have shed their stereotypical caricatures, to freedom. Their pose directly references Eugène Delacroix’s “Liberty Leading the People”, arguably the most famous painting of the French Revolution.

Columbia artist Michaela Pilar Brown also uses photography to explore concepts of blackness and black femininity. Using her own body in combination with everyday objects, Brown creates vignettes that challenge conventional notions of race, feminism, and physicality. In “Speak No”, the arrangement of small plastic soldiers, rhinestones, and black paint on her head and face and the black Kewpie doll on her shoulder powerfully demonstrate the internal battle women of color often experience regarding their own beauty and self-worth.

Colin Quashie’s “Plantation Monopoly” was one of the most popular works of art in “REMIX”. A native Charlestonian, Quashie explores the well-known board game Monopoly and the historic plantation experience with wit and humor along with a large dose of criticism and irony. In repurposing something familiar and fun into a critique of the horrors of slavery, the piece commands the viewer’s undivided attention and then confronts that viewer with harsh historical realities that continue to resonate to this day. A fully functioning board game, “Plantation Monopoly” also provokes dialogue about the age-old question, “What is art?”

To further explore two of these fascinating works, the FAAAC presents “REMIX/REDUX”, a program featuring discussion between Brown and Quashie.

“I am extremely excited to sit in conversation with Colin Quashie,” says Brown. “He carries a sharp ax. He brings his sharp intellect, a deep understanding of history, and fearlessness to artmaking. His voice is essential at this moment in America’s story. The CMA’s acquisition of a seminal Quashie piece speaks to their commitment to addressing challenging ideas about contemporary American art. It’s good company to find myself in, and I’m thrilled to have this platform to engage in critical dialogue about artmaking, museum acquisitions, and inclusion.”

Porchia Moore, CMA consulting curator and Ph.D. candidate at the University of South Carolina, will moderate the program.

“The acquisition of these four works marks a significant purchase for the museum and the direction we will continue to take in our strategic strengthening of adding African-American work to our collection,” says Moore. “These four extraordinary artists each have a distinctive voice and style. A little provocative. A lot of truth. Some beauty. Some satire. Some pain. Each piece tells a story and invites you to truly participate in both the telling of that story and the listening of it. I think that this event featuring Michaela Pilar Brown and Colin Quashie is a wonderful way for us to celebrate the powerhouse visual artists of South Carolina and the work being created in the region which directly engages with and advances the art being created both in the Southeast and in the nation.”

All four works of art will go on view in the CMA’s future contemporary galleries.

For more information, visit (www.columbiamuseum.org/happenings).

Lynn Robertson Appointed as Interim Director of Columbia Museum of Art in Columbia, SC

December 30, 2016

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Lynn Robertson, former executive director of the McKissick Museum at the University of South Carolina, has been appointed as the interim executive director of the Columbia Museum of Art as a search is conducted for a permanent, full-time replacement.

Robertson will join the CMA in mid-January and will support museum operations, events, and planning through July 31, when a permanent executive director is expected to be named.

Robertson has an extensive background in museum management and has been engaged extensively with the Museum Management Program at USC. She served in various capacities at the McKissick Museum from 1988 – 2011 and continues to operate a consulting service for cultural institutions.

“We couldn’t be happier to be able to bring in Lynn during this important interim period to keep the momentum going at the Columbia Museum of Art as we search for Karen Brosius’ replacement,” says Scott McClelland, chairman of the board for the CMA.  “Lynn has vast experience in museum management, as well as great relationships throughout the community. She’ll be a natural fit and is eager to help us through this transition period.”

“I’m honored to be part of such an important institution in our state. The Columbia Museum of Art has consistently played an important role in our community’s intellectual and economic well being – not to mention its leadership in demonstrating the essential role of the arts in education.” says Robertson.

Executive Director Karen Brosius informed board members and staff in November of her acceptance of the president position with Careers through Culinary Arts Program based in New York starting early February 2017.

“Lynn and I have been friends for a long time, and she was my top recommendation to the board to take on this role. I feel really good leaving the talented staff of the CMA in Lynn’s hands,” says Brosius. “She has as much love for this community as I do and has been so gracious in talking with us and agreeing to help the board throughout our recruitment and hiring process.”

On Jan. 2, 2017, the board of the CMA will issue an RFP for a recruitment firm with arts expertise and anticipates making a selection by mid-February.

The Columbia Museum of Art is a charitable nonprofit organization dedicated to lifelong learning and community enrichment for all. Located in the heart of downtown Columbia, SC, the CMA ranks among the leading art institutions in the country and is distinguished by its innovative exhibitions and creative educational programs. At the heart of the CMA and its programs is its collection, which encompasses 7,000 works and spans 5,000 years of art history. Established in 1950, the CMA now welcomes more than 150,000 visitors annually and is a catalyst for community creativity and education, engaging people of all ages and backgrounds. It is the recipient of a National Medal from the Institute of Museum and Library Services, a National Art Education Association award for its contributions to arts education, a National Park Foundation Award, and two Elizabeth O’Neill Verner Governor’s Awards for the Arts for outstanding contributions to the arts in South Carolina.

To learn more, visit (www.columbiamuseum.org).

701 Center for Contemporary Art in Columbia, SC, Announces: Yvette L. Cummings WINS the 701 CCA PRIZE 2016

December 5, 2016

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Conway, SC, artist Yvette L. Cummings won the 701 CCA Prize 2016 for South Carolina artists 40 years and younger. Cummings was announced as the winner during the Dec. 1, 2016, 701 CCA Prize Celebration at Columbia’s 701 Center for Contemporary Art. The winner was announced by Tristan Weinkle and Corinne Goldberg of exhibition sponsor South Carolina Veterinary Specialists and Emergency Care in front of an audience of some 150 people.

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Yvette L. Cummings

“Cummings is an outstanding winner of this year’s Prize,” 701 CCA board chair Wim Roefs said. “She won in a highly competitive field of contestants that included two other excellent finalists, Colleen Critcher and Jena Thomas.” Critcher is from Hartsville and was, like Cummings, selected for last year’s 701 CCA South Carolina Biennial. Thomas is from Spartanburg, where she arrived from Florida earlier this year to teach at Converse College.

As the winner, Cummings will receive a six-week, paid residency at 701 CCA; a solo exhibition at 701 CCA; and an ad in a national art magazine.

The finalists and winner were selected by an independent jury consisting of David Gariff, senior lecturer at the National Gallery of Art in Washington, DC; Jonell Logan, independent curator and founder of 300 Arts Project LLC in Belmont, NC; and Jennifer Smith, gallery & marketing director of The Arts Center of Greenwood in Greenwood, SC.

The 701 CCA Prize 2016 exhibition will remain on view through Dec. 18, 2016. The exhibition catalogue, which also was presented during last night’s 701 CCA Prize Celebration, is available at 701 CCA for $5.00.

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Yvette L. Cummings, Voyeur Series, 2015–16, acrylic and cut paper on canvas, 15 panels, 14” x 14” each.

Cummings in 2015 was selected for the 701 CCA South Carolina Biennial and for Contemporary South at Visual Art Exchange in Raleigh, NC. Also in 2015, she had a solo exhibition at Black Creek Arts Gallery in Hartsville, SC. Other solo shows were at South Carolina State University in Orangeburg, SC, and City Art Gallery in Columbia, SC. Her work has been in some 30 group exhibitions, mostly in the South and Midwest. Among the venues where Cummings has shown are Women Made Gallery in Chicago, IL, the Urban Institute of Contemporary Art and Kendall College of Art & Design, both in Grand Rapids, MI, the Florence County (SC) Museum, the Pickens County (SC) Museum of Art and History, the Anderson (SC) Arts Center and the Durham (NC) Art Guild. Cummings holds an MFA and a Graduate Certificate in Museum Studies from the University of Cincinnati in Ohio and a BFA from Kendal College. She also studied at the Studio Arts Center International in Florence, Italy.

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Yvette L. Cummings, A Myriad Of Moments, 2016, acrylic on canvas,71” x 77”.

The 701 CCA Prize’s purpose is to identify and recognize young South Carolina artists whose work is exemplary in its originality, shows awareness of artistic developments and is of high artistic merit. “All three finalists easily matched the criteria,” board chair Roefs said, “as did many of the artists who submitted a portfolio for the judge’s consideration but didn’t make it to the finals.” This year’s installment was the third 701 CCA Prize event.

“With the 701 CCA Prize, 701 Center for Contemporary Art has added a crucial component to the eco-system for artists and the visual arts in South Carolina,” Roefs said. “Prior to this 701 CCA initiative, the state did not have a prominent event to highlight the best young talent in South Carolina.”

For further inquiries, contact Wim Roefs by e-mail at (wroefs@sc.rr.com) or call 803/238-2351.

701 CCA is a non-profit visual arts center that promotes understanding, appreciation and enjoyment of contemporary art, the creative process and the role of art and artists in the community. The center also encourages interaction between visual and other art forms.

701 CCA is located at 701 Whaley Street, 2nd Floor, Columbia, SC 29201. During exhibitions, hours are Wed., 11am–8pm; Thur.-Fri., 11am-5pm; Sat., 9am-5pm; Sun., 1-5pm. For more information, visit (www.701cca.org).