Archive for July, 2017

Fabulon, a Center for Art and Education in Charleston, SC, Calls for Entries for “TRIBUTE” – Deadline Aug. 21, 2017

July 31, 2017

So many tragic losses of great musicians in the most recent years. Each week it seems another icon from the classical rock era or maker of the epic album has passed. The legacy of poetic lyrics, our only consolation.

As part of Charleston’s Poetry festival, Fabulon Gallery will host a show of work inspired by music because it plays such an important role for many visual artists. It’s in our soul, it moves us, and it translates into our images.

A certain song can take us to a special time or place in our own history. Maybe it’s the beats, tunes, musicians, instruments, or lyrics. Perhaps it is just one line from a song? Or the entire life of the artist. Do you have your own theme song? Do you have one song that gets you in your artistic groove?

Pay tribute to your favorite inspiration. We will accept portraits, even Elvis on velvet.

Ideally we seek poetic music that becomes inspiration for an image.

Please no copyright infringement. It is the responsibility of the artist to do the research. As a gallery we do our best to protect your copy rights; please do the same for our musical artists.

Send up to five images that reflect this theme. We will choose up to three for the exhibit and sale. Artists must send a statement connecting their work to the theme.
All work must be for sale. The gallery receives 40% of the sale. Artist is responsible for delivery and pick up of artwork. Artwork may be brought to the gallery in person Tuesday-Saturday 10-5pm, or shipped using FedEx or USPS only (NOT UPS) with shipping labels both ways. No packing peanuts, please.

Artwork must be in hang ready condition with wire method only, no sawtooth hangers will be accepted. Each piece must have a label firmly affixed to the back, stating name, title, and contact information. Artwork must have been created within the last 2 years, not derived from copyrighted images, and not created under the direction of an instructor. We will accept images of work in progress, with the understanding it will be finished by the deadline.

Deadline for submission is 8/21/17, artists will be notified by 8/31/17.
Work must arrive by 9/29. Work will be on display from 10/1/17 through 11/19/17. Artists’ Reception on 10/21/17 5-8pm.

For info about entry visit (https://www.callforentry.org/festivals_unique_info.php?ID=4499).

For further info about Fabulon call 843/566-3383 or visit (www.fabulonart.com).

Advertisements

Fabulon, a Center for Art and Education in Charleston, SC, Calls for Entries for “ENCAUSTIC SHOW: WAX POETIC” – Deadline Aug. 21, 2017

July 31, 2017

Who could resist such a title especially since October is Charleston’s first city wide Poetry Festival called Free Verse.

Fabulon will curate a juried show of encaustic work with and without Poetry as a component. The main goal is to bring encaustic work to the people. Show why artists are enthralled. Show the best it can be. Elevate from the crafty, decopauge, or crayon connotation it has in some minds.

Send up to five images per entry that use the medium of encaustic. We will choose up to three for the exhibit and sale. Artists must send a statement about their work.

All work must be for sale. The gallery receives 40% of the sale. Artist is responsible for delivery and pick up of artwork. Artwork may be brought to the gallery in person Tuesday-Saturday 10-5pm, or shipped using FedEx or USPS only (NOT UPS) with shipping labels both ways. No packing peanuts, please.

Artwork must be in hang ready condition with wire method only, no sawtooth hangers will be accepted. Each piece must have a label firmly affixed to the back, stating name, title, and contact information. Artwork must have been created within the last 2 years, not derived from copyrighted images, and not created under the direction of an instructor. We will accept images of work in progress, with the understanding it will be finished by the deadline.

Deadline for submission is 8/21/17, artists will be notified by 8/31/17.

Work must arrive by 9/29. Work will be on display from 10/1/17 through 11/19/17. Artists’ Reception on 10/21/17 5-8pm.

For info about entry visit (https://www.callforentry.org/festivals_unique_info.php?ID=4498).

For further info about Fabulon call 843/566-3383 or visit (www.fabulonart.com).

Black Mountain College Museum + Arts Center and the University of North Carolina Asheville to Present 9th Annual Reviewing Black Mountain College Conference in Asheville, NC – Sept. 29 – Oct. 1, 2017

July 31, 2017

International conference gathers artists and scholars who explore the history and legacy of the groundbreaking Black Mountain College, where Willem de Kooning, John Cage, Buckminster Fuller, Merce Cunningham, Franz Kline and Robert Rauschenberg collaborated in the Mid-20th Century.

This Year’s Conference Introduces Two New Programs:

The BMCM+AC Performance Initiative, a Multi-Part Project Offering New Dimensions to the Museum’s Visual Art Exhibitions, Including Brooklyn Youth Chorus’ Multimedia Stage Work Black Mountain Songs, Curated by Bryce Dessner (The National) and Richard Reed Parry (Arcade Fire) and Performed During the Conference; and Dance Heginbotham’s The Principles of Uncertainty, a New Dance Theater Work from Choreographer John Heginbotham and Author/Illustrator Maira Kalman, in March 2018
The Active Archive, a Stream of Programs Pairing the Museum’s Extensive Collection with Contemporary Artists, Curators and Thinkers, Beginning with an Exhibition Curated by Interdisciplinary Artist Martha McDonald. Conference Will Include 60+ Presenters and Keynote Addresses by Mel Chin and the Black Mountain Songs Creative Team

The Black Mountain College Museum + ArtsCenter (BMCM+AC) and the University of North Carolina Asheville are pleased to announce the ninth annual ReVIEWING Black Mountain College conference, which brings together artists and scholars to explore the history and legacy of the pioneering Black Mountain College (BMC), Sept. 29 – Oct. 1, 2017, in Asheville, NC.

In the mid-20th Century, a group of American artists and European refugees including Josef and Anni Albers, Willem de Kooning, John Cage, Buckminster Fuller, Merce Cunningham, Franz Kline and Robert Rauschenberg converged at the College and developed new artistic practices and an innovative culture of cross-disciplinary collaboration that came to define the American century. ReVIEWING Black Mountain College 9 celebrates and furthers the continuing relevance of this spirit.

Founded in 1933, Black Mountain College was one of the leading experimental liberal art schools in America until its closure in 1957. After the Bauhaus in Germany closed due to mounting antagonism from the Nazi Party, Josef and Anni Albers accepted an offer to join the BMC faculty. During their 16-year tenure in North Carolina, the Alberses helped model the college’s interdisciplinary curriculum on that of the Bauhaus, attracting an unmatched roster of teachers and students including many of the 20th century’s foremost American and European artists. Founded by arts advocate Mary Holden in 1993, BMCM+AC celebrates the history and impact of BMC as a forerunner in progressive interdisciplinary education through exhibitions, publications, lectures, films, seminars and oral histories. On July 1, 2016, BMCM+AC doubled its footprint in downtown Asheville, opening a second multi-use gallery space and study center, and developed a formal partnership with UNC Asheville.

The BMCM+AC Performance Initiative

Amidst a recent resurgence of public interest in Black Mountain College, BMCM+AC and UNC Asheville have launched a new Performance Initiative to offer residencies, workshops and performances of world-class interdisciplinary works that offer new dimensions to the Museum’s ambitious visual art exhibitions and illuminate and carry on the College’s legacy.

The BMCM+AC Performance Initiative kicks off during ReVIEWING Black Mountain College 9 with the Southeast Premiere of the acclaimed work Black Mountain Songs. Commissioned and produced by the Brooklyn Youth Chorus and BAM, and curated by Bryce Dessner (The National) and Richard Reed Parry (Arcade Fire), Black Mountain Songs is inspired by Black Mountain College, its prolific community of artists, and their work, and rekindles the College’s utopian spirit. The Chorus performs music written for them by eight composers: Dessner and Parry, as well as Pulitzer Prize-winner Caroline Shaw, Nico Muhly, Aleksandra Vrebalov, John King, Tim Hecker, and Jherek Bischoff. Featuring contributions from filmmaker Matt Wolf (Wild Combination: A Portrait of Arthur Russell), Black Mountain Songs is an expansive choral and visual work. This exquisite production premiered at BAM in 2014. New Amsterdam Records released an acclaimed recording of the work—Brooklyn Youth Chorus’ first album—earlier this year.

The BMCM+AC Performance Initiative will continue during the week of March 13, 2018, when BMCM+AC and UNC Asheville present The Principles of Uncertainty, a new evening-length dance theater work by choreographer John Heginbotham and author/illustrator Maira Kalman. Heginbotham will direct and choreograph the work, while Kalman will oversee all elements of design—sets, props, projections and costumes. Kalman will also be present on stage, alongside six members of Dance Heginbotham, an actor and live musicians. Composer Colin Jacobsen—a member of string quartet Brooklyn Rider, chamber ensemble The Knights, and Yo-Yo Ma’s Silk Road Ensemble—serves as Music Director of the project. Members of The Knights will perform live.

Active Archive: Martha McDonald

“We do not always create ‘works of art,’ but rather experiments; it is not our ambition to fill museums: we are gathering experience.”—Josef Albers, Artist, Black Mountain College Faculty 1933-49

The Active Archive represents an ambitious new direction for Black Mountain College Museum + Arts Center (BMCM+AC), both programmatically and artistically. While BMCM+AC has included contemporary work in past exhibitions, this will be the first time it commissions new work and offers an artist residency.

The Active Archive Initiative will give interdisciplinary artist Martha McDonald time to conduct research, incubate ideas, and make new work. In the research and planning phase of the project, she will explore how objects and ideas from the museum’s collection, the historic Lake Eden campus, and the city of Asheville itself can be stitched together to reveal new dimensions of the Black Mountain College (BMC) story, and how it connects to contemporary culture and art practice.

Martha McDonald is an interdisciplinary artist whose performances and installations feature handcrafted costumes and objects that she activates through gestures of making, unmaking and singing to transmit narrative. McDonald’s practice often focuses on site-specific “interventions” in historic house museums, rare book libraries, cultural institutions, and botanic gardens to investigate the sites and their stories in order to explore how public places connect with personal histories and emotional states. Her work involves deep archive/collections research in order to uncover hidden or forgotten histories. She invites audiences to experience sites and collections from an artist’s perspective.

McDonald’s project will bring the archive and ideas of BMC alive between Sept. 29 and Dec. 30, 2017, in both BMCM+AC exhibition spaces in downtown Asheville. The project includes an exhibition, a 96-page catalogue, and community programs including a performance, conference presentation, and a gallery walk-through/talk. McDonald’s Active Archive work will create a contemporary platform to advance the discourse surrounding the living ideas and history of BMC. The result will be a gathering place for community conversations among artists, audiences, scholars and students within the new exhibition.

In one gallery, McDonald will curate an exhibition of BMC artwork exploring the importance of color, process and experimentation at BMC. The second gallery will focus on BMC’s rich history of experimental theatre and performance art, stretching from Xanti Schawinsky’s early Bauhaus-inspired theater experiments in 1937-38 through the first Happening at BMC in 1952, conceived by John Cage and David Tudor and including Merce Cunningham, Robert Rauschenberg, MC Richards and Charles Olson.

Conference Presenters and Keynote Addresses

ReVIEWING Black Mountain College will feature over 60 interdisciplinary presenters from across the United States as well as Lithuania, Russia, and Canada. Topics addressed will include the artistic practices of BMC artists Josef and Anni Albers, Ruth Asawa, Ray Johnson, Merce Cunningham, and John Cage as well as the poetics of Charles Olson, Robert Creeley, Hilda Morley, and John Weiners. The conference will feature two keynote addresses: one by conceptual artist Mel Chin, on Friday, September 29, and another, about the composition and performance of Black Mountain Songs, in the form of a panel discussion with members of the creative team and others, on Saturday, Sept. 30.

Ticketing and Locations

Most of the events comprising ReVIEWING Black Mountain College 9 will take place on the UNC Asheville campus at the Reuter Center. Advance tickets are $40 for current members of BMCM+AC and UNC Asheville’s Osher Lifelong Learning Institute, and $75 for non-members (BMCM+AC annual membership included). This price will increase to $100 for non-members at the door on Sept. 29. Optional discounted tickets to the Black Mountain Songs performances, on Sept. 29 & 30, are available to conference attendees for $10, along with an optional tour of the BMC Lake Eden Campus on Oct. 1 for $15. Both add-ons can be purchased with conference admission at (reviewing.brownpapertickets.com).

The Black Mountain Songs performances will take place at the Diana Wortham Theatre in downtown Asheville. Tickets can be purchased for $20 ($12 for those aged 18 and under) here.

About the Black Mountain College Museum + Arts Center

The Black Mountain College Museum + Arts Center (BMCM+AC) preserves and continues the legacy of educational and artistic innovation of Black Mountain College (BMC). The institution achieves its mission through collection, conservation and educational activities including exhibitions, publications and public programs.

Arts advocate Mary Holden founded BMCM+AC in 1993 to celebrate the history of Black Mountain College as a forerunner in progressive interdisciplinary education and to explore its extraordinary impact on modern and contemporary art, dance, theater, music and performance. Today, the museum remains committed to educating the public about BMC’s history and raising awareness of its extensive legacy. BMCM+AC’s goal is to provide a gathering point for people from a variety of backgrounds to interact through art, ideas and discourse.

About Black Mountain College

The story of Black Mountain College begins in 1933 and comprises a fascinating chapter in the history of education and the arts. Conceived by John A. Rice, a brilliant and mercurial scholar who left Rollins College in a storm of controversy, Black Mountain College was born out of a desire to create a new type of college based on John Dewey’s principles of progressive education. The events that precipitated the college’s founding occurred simultaneously with the rise of Adolf Hitler, the closing of the Bauhaus school in Germany, and the beginning of the persecution of artists and intellectuals in Europe. Some of these refugees found their way to Black Mountain, either as students or faculty. Meanwhile, the United States was mired in the Great Depression.

The founders of the college believed that the study and practice of art were indispensable aspects of a student’s general liberal arts education, and they hired Josef Albers to be the first art teacher. Speaking not a word of English, he and his wife Anni left the turmoil in Hitler’s Germany and crossed the Atlantic Ocean by boat to teach art at this small, rebellious college in the mountains of North Carolina.

Black Mountain College was fundamentally different from other colleges and universities of the time. It was owned and operated by the faculty and was committed to democratic governance and to the idea that the arts are central to the experience of learning. All members of the college community participated in its operation, including farm work, construction projects, and kitchen duty. Twenty minutes east of Asheville, the secluded environment fostered a strong sense of individuality and creative intensity.

Legendary even in its own time, Black Mountain College attracted and created maverick spirits, some of whom went on to become well-known and extremely influential individuals in the latter half of the 20th century. A partial list includes Willem and Elaine de Kooning, Robert Rauschenberg, Josef and Anni Albers, Jacob Lawrence, Merce Cunningham, John Cage, Cy Twombly, Kenneth Noland, Susan Weil, Vera B. Williams, Ben Shahn, Ruth Asawa, Franz Kline, Arthur Penn, Buckminster Fuller, M.C. Richards, Francine du Plessix Gray, Charles Olson, Robert Creeley, Dorothea Rockburne and many others who have made an impact on the world in a significant way. Even now, decades after its closing in 1957, the powerful influence of Black Mountain College continues to reverberate.

About the Artists and Speakers

Brooklyn Youth Chorus (co-commissioner, producer, performer, Black Mountain Songs), now celebrating its 25th anniversary, is a collective of young singers and vocal ensembles re-envisioning choral music performance through artistic innovation, collaboration, and their distinctively beautiful sound. With an incredibly versatile range and repertoire, Brooklyn Youth Chorus combines intensive voice training and music study with exceptional performance experiences. Founded in 1992, Brooklyn Youth Chorus’s after-school program encompasses over 500 students in multi-level training divisions and advanced performing ensembles. With an emphasis on commissioning, the Chorus’s repertoire includes more than 100 original works and world premieres.

Bryce Dessner (creator, co-curator, composer, Black Mountain Songs) is a Brooklyn-based composer, guitarist, and curator who is also a member of the Grammy Award-nominated band the National. Dessner’s recent commissions include pieces for the Los Angeles Philharmonic, the National Audiovisual Institute of Poland, the Grammy Award-winning Kronos Quartet, and the new music ensemble eighth blackbird, among others. The first recordings of Dessner’s compositions, performed by Kronos Quartet, were released in 2013 by Anti on an album entitled Aheym. In 2014 Deutsche Grammophon/Universal Music Classics released St. Carolyn By the Sea; Suite from the Paul Thomas Anderson film There Will Be Blood, which features three of Dessner’s orchestral works performed by the Copenhagen Philharmonic and conducted by André de Ridder.

Richard Reed Parry (co-curator, composer, Black Mountain Songs) is the red-headed musical polymath at the heart of the inventive art rock band Arcade Fire, but his work and story reach far beyond. Born in Toronto and raised in a community of ex-pat British isles folk musicians, Parry studied electro-acoustics and contemporary dance at Concordia University. As well as contributing to Arcade Fire’s success over the past 10 years, he also released his debut album as a composer this year entitled Music for Heart and Breath on Deutsche Grammophon. Parry has also written commissioned works for Kronos Quartet, yMusic, and Bryce Dessner, and his chamber works also have been performed by the Calder Quartet and Who’s WhoWho’s Who Warhol Dervish. He has also collaborated and performed with artists like David Bowie, The National, the Unicorns, Neil Young, Mick Jagger, Sam Amidon, Nadia Sirota, Colin Stetson, Little Scream, La La La Human Steps, and Islands.

Maira Kalman (co-creator, designer,The Principles of Uncertainty) is the author and illustrator of 18 children’s books including Fireboat, Looking at Lincoln, and What Pete Ate, as well as five books for adults. Her online columns for the New York Times were compiled into two volumes, The Principles of Uncertainty and The Pursuit of Happiness. Her two most recent books about design, My Favorite Things and Ah-Ha to Zig Zag were recently released in conjunction with Maira Kalman: My Favorite Things – the exhibit she curated for the re-opening of the Cooper Hewitt Smithsonian Design Museum in New York City. Maira’s recent publications include Girls on Lawns with text by Daniel Handler, in conjunction with the photography department of the Museum of Modern Art, and Beloved Dog.

Originally from Anchorage, Alaska, John Heginbotham (co-creator, choreographer,The Principles of Uncertainty) graduated from The Juilliard School in 1993, and was a member of the Mark Morris Dance Group from 1998 – 2012. In 2011 he founded Dance Heginbotham (DH). The ensemble has been presented and commissioned by Bard College, Brooklyn Academy of Music, Jacob’s Pillow Dance Festival, The Joyce Theater, The Kennedy Center, and Lincoln Center for the Performing Arts, among others. In the spring of 2016, DH toured to Indonesia, Laos, and the Philippines DanceMotion USASM, a project of the US Department of State’s Bureau of Educational and Cultural Affairs (ECA), produced by BAM. A frequent collaborator with live music, John has worked with numerous composers and musicians including Alarm Will Sound, American Classical Orchestra, Brooklyn Rider, Fischerspooner, Tyondai Braxton, Colin Jacobsen, Gabriel Kahane, and Shara Worden.

Martha McDonald (curator, Active Archive exhibition) is an interdisciplinary artist whose performances and installations feature handcrafted costumes and objects that she activates through gestures of making and unmaking and singing to transmit narrative. McDonald’s practice often focuses on site-specific “interventions” in historic house museums, libraries and gardens which investigate the sites and their stories to explore how these public places connect with personal histories and emotional states.

McDonald’s work has been produced in Berlin at Brotfabrik; in Melbourne, Australia at Linden Centre for Contemporary Arts and Craft Victoria; in Sydney, Australia, at Elizabeth Bay House; in New York at P.S. 122, The Joyce SoHo, HERE Center for the Arts and Galapagos Arts Space; in Washington, DC, at the Smithsonian National Portrait Gallery; in San Francisco at Theatre of Yugen; in Chicago at Links Hall; in Baltimore at the Evergreen Museum & Library and 14K Cabaret; and in Philadelphia at the Institute of Contemporary Art, Painted Bride Art Center, The Prince Music Theater and the Philadelphia Live Arts Festival. She has been selected for artist residencies at Monash University (Melbourne, Australia), The MacDowell Colony (Peterborough, NH), Evergreen Museum & Library at Johns Hopkins University (Baltimore, MD) and The Rosenbach Museum & Library (Philadelphia, PA). She has received fellowships from the Pennsylvania Council on the Arts and the Independence Foundation. She completed a Masters of Fine Art at Monash University through a Monash Research Graduate Scholarship.

Mel Chin (keynote speaker) was born in Houston, Texas, in 1951. Chin’s art, which is both analytical and poetic, evades easy classification. He is known for the broad range of approaches in his art, including works that require multi-disciplinary, collaborative teamwork and works that conjoin cross-cultural aesthetics with complex ideas.

Chin also insinuates art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility. He developed Revival Field (1989-ongoing), a project that has been a pioneer in the field of “green remediation,” the use of plants to remove toxic, heavy metals from the soil. From 1995-1998 he formed the collective the GALA Committee, which produced In the Name of the Place, a conceptual public art project conducted on American prime-time television. In KNOWMAD, Chin worked with software engineers to create a video game based on rug patterns of nomadic people facing cultural disappearance. His film 9-11/9-11, a hand-drawn, 24 minute, joint Chilean/U.S. Production, won the prestigious Pedro Sienna Award for Best Animation from Chile’s National Council for the Arts and Cultures, in 2007. Chin also promotes “works of art” that have the ultimate effect of benefiting science, as in Revival Field, and also in the recent Operation Paydirt/Fundred Dollar Bill Project, an attempt to make New Orleans a lead-safe city. These projects are consistent with a conceptual philosophy that emphasizes the practice of art to include sculpting and bridging the natural and social ecology.

Chin’s work was documented in the popular PBS program “Art of the 21st Century.” He has received numerous awards and grants from organizations such as the National Endowment for the Arts, New York State Council for the Arts, Art Matters, Creative Capital, and the Penny McCall, Pollock/Krasner, Joan Mitchell, Rockefeller and Louis Comfort Tiffany Foundations, among others.

For more information, please contact Blake Zidell or Ron Gaskill at Blake Zidell & Associates by e-mail at (blake@blakezidell.com), (ron@blakezidell.com) or call 718/643-9052.

Arts Council of Fayetteville/Cumberland County in Fayetteville, NC, for “Fuel for the Fire” Exhibition – Deadline Aug. 7, 2017

July 30, 2017

CLARIFICATION: This Call for Art is open to 2D and 3D (sculptural) work.

“Fuel for the Fire” – works exploring materiality of wood and paper. This juried show is hot, hot, hot with $1,500 in cash awards! The Arts Council is looking for contemporary artists who work with some of art’s most organic materials to create works of art that transcend their elements and captivate the viewer.

The “Fuel for the Fire” exhibition will be on view from Aug. 25 to Oct. 21, 2017, at the Arts Center (301 Hay St.) Fayetteville, NC.

Submit digital images for consideration at (www.callforentry.org) by Aug. 7, 2017.

In this juried show, artists explore and manipulate the materiality of wood and paper in two dimensional and sculptural forms, illustrating evolving techniques and aesthetics by highlighting the expressive capacity and growing sophistication of the materials.

Artists of 18 years or older are invited to enter work.

A non-refundable entry fee of $25 allows artists to enter up two pieces of artwork. Entry does not guarantee inclusion.

The Arts Council of Fayetteville/Cumberland County was founded in 1973. As a link between artists, arts and cultural organizations and the community, the nonprofit agency administers programs in partnership with a variety of local agencies to stimulate community development through the arts. The Arts Council supports individual creativity, cultural preservation, economic development and lifelong learning through the arts.

The Arts Council’s grants, programs and services are funded in part by contributions from businesses and individuals, and through grants from the City of Fayetteville, Cumberland County and the NC Arts Council, a division of the Department of Natural & Cultural Resources.

For further information contact Mary Kinney by calling 910/323-1776, ext. 239, visit the Arts Council of Fayetteville/Cumberland County, e-mail to (maryk@theartscouncil.com) or visit (www.theartscouncil.com/opportunities).

STARworks in Star, NC, Offers Lectures – Aug. 9, 2017

July 30, 2017

STARworks Clay Studio resident artists Yang Chen and Levi Mahan, and STARworks Glass interns Josh Fredock and Grace Phillips will present slides and discuss their work during artist talks at STARworks in Star, NC, Wednesday, Aug. 9, 2017, at 5:30pm. The presentations are free and open to the public. Beer from Four Saints Brewing Company will be available for purchase.


Work by Yang Chen

Yang Chen is a ceramic sculptor and installation artist from Bejing, China. She received her BFA at Tsinghua University in 2014 and her MFA from the Rhode Island School of Design. Her work has been exhibited in China and the United States, including the “2014 NANTONG International Contemporary Biennial”.

Levi Mahan grew up at Wild Rose Pottery in Seagrove, NC. He studied with Syd Carpenter and Doug Herren at Swarthmore College before he began working with his father full time at From the Ground Up Pottery. Most recently, he was the kiln manager at Art Alliance ceramic studio in Greensboro, NC.

Josh Fredock combines glass and metal to create his art. Most of his work is made from salvaged materials. He has a welding degree from Asheville-Buncombe Technical Community College. Most recently, Fredock was a fabricator at Rock Cottage Glassworks in Merriam, KS.


Work by Grace Phillips

Grace Phillips is from Chicago, IL. She earned a double major in Art Education and Glassblowing from Illinois State University. She spent a year teaching art at the elementary level, but longed to be back in the studio and left education to pursue her artistic career. Currently, she is developing a body of work that explores different aspects of the mind.

For more information, visit (www.STARworksNC.org).

Ginger Nicholson Nance Wins the “I Love Union County Photo Contest” in Union County, NC

July 30, 2017

Ginger Nicholson Nance was announced the winner of the “I Love Union County Photo Contest” in Union County, NC. She won the $500 award.


“Winter in the South” by Ginger Nicholson Nance

Thanks to the participants and visitors for making the “I Love Union County Photo Contest” a success! We are overwhelmed by the artistic talent of the entrants and the level of community support demonstrated by the voters!

The Union County Community Arts Council is a non-profit organization that serves as a cultural planner and resource agency with the objective of increasing awareness and participation in the arts for the citizens of Union County.

Through generous support from business and community members UCCAC:
* Champions the arts as part of the core curriculum for all students in all Union County schools.
* Awards grants to arts organizations, schools and artists increasing resources available for community arts and arts education programs throughout Union County.
* Fosters education through the arts within our community.
* Is consistently recognized as a leader among arts organizations in North Carolina.

Learn more about how you can support the arts and arts education by visiting (unionarts.org). Don’t forget to follow us on Facebook and Twitter!

SC Watermedia Society Extends Deadline for Digital Show – to Aug. 18, 2017

July 30, 2017

Great News… the SC Watermedia Society’s Digital Show entry deadline has been extended to Aug. 18, 2017. We have had a great entry response so far, and want to provide time for more artists to enter. After speaking with our judge Linda Baker, we have decided to extend the deadline.

The South Carolina Watermedia Society Nationwide Digital Show will be on display at the Charleston International Airport atrium, in Charleston, SC, from Oct. 7 – Nov. 25, 2017 and will be displayed digitally until Oct. 2018. Everyone who enters will have their work displayed digitally. The society’s annual statewide Traveling Show will also include the digital show. It will run from Dec. 2017 – Sept. 2018.

Click here (https://www.callforentry.org/festivals_unique_info.php?ID=4437) for details and rules for the call for entry.

Dare County Arts Council in Manteo, NC, Announces A Call For Entry For Mask Exhibit – Deadline Sept, 29, 2017

July 30, 2017

The Dare County Arts Council in Manteo, NC, announces a Call for Entry for the “Art of the Mask”: A DCAC Special Exhibit, presented as a compliment to DCAC’s annual fundraising event the Black Opal Masquerade Ball, which will be held on Oct. 28, 2017.

Outer Banks artists working in: metal, wood, cloth, papier mâché, glass, paint, clay, leather, enamel and jewelry artists are invited to create masks that encourage viewers to explore their imaginations.

“Art and identity form some of the strongest visual images we know,” said “Art of the Mask” Exhibit Curator Carol Willett. “This year’s annual fundraiser, the Black Opal Masquerade Ball, is intimately linked with our month-long exhibit, “Art of the Mask”. Artists from all different media have a unique opportunity to turn their talents toward producing masks and mask-related art that will excite the community and prepare us for a splendid night at the Ball.”

Artists wishing to participate in the “Art of the Mask” exhibit can find a prospectus online at (DareArts.org/mask) and at the DCAC Gallery in downtown Manteo.

The “Art of the Mask” is open to Dare County Arts Council members and residents of Dare County age 18 and over. Entries can be dropped off Thursday, Sept. 28 and Friday, Sept, 29, 2017, between 10am and 5pm at the DCAC Gallery, 300 Queen Elizabeth Ave. Manteo, NC.

An opening reception for the mask exhibit will be held at Dare County Arts Council on First Friday, Oct. 6, 2017, from 6-8pm.

Everyone is encouraged to visit this special exhibit to find the perfect mask for Black Opal. The event will celebrate the spirit of creativity and imagination. Tickets to Black Opal can be purchased online at (DareArts.org/blackopal) and at Dare County Arts Council in Manteo.

“Every year, our big fundraiser enables us to make nearly all of our arts programming free and open to the public,” said Dare County Arts Council Executive Director Chris Sawin. “The mask exhibit is meant to be a preview of this year’s Black Opal event, which promises to be a ton of fun! Costumes and masks are optional at Black Opal, but highly encouraged.”

The “Art of the Mask” exhibit will remain on display at the DCAC Gallery through Tuesday, Oct. 31, 2017. Gallery hours are Monday through Friday 10am to 5pm and Saturday 12-4pm.

As Black Opal’s Michelangelo sponsor, TowneBank supports the “Art of the Mask” exhibit along with Dare County Arts Council’s Emerging Artists Series and Power of Art program.

Dare County Arts Council is a 501(c)(3) nonprofit arts organization dedicated to supporting the arts in Dare County.

For more information about “Art of the Mask” exhibit, please visit (DareArts.org/mask) or call 252/473-5558.

Mooresville Arts in Mooresville, NC, Calls for Participation at Arts at the Mill – Nov. 10-12, 2017

July 30, 2017

Arts at the Mill is a three-day indoor juried national fine arts festival at the historic Mill in downtown Mooresville, NC, allowing nationally selected artists to display and sell original art. This festival is a collaborative effort between Concord Properties, Inc. and Mooresville Arts, both located in historic downtown Mooresville, NC.

The event takes place Friday, Nov. 10, 2017 (12-8pm); Saturday, Nov. 11, 2017 (10am- 6pm); and Sunday, Nov. 12, 2017 (10am-5pm). An opening reception will be from 6-8pm on the first day of the festival.

Event Location: 500 S. Main Street, Mooresville, NC 28115

Application Deadline: Ongoing through Monday, October 2, 2017 Application Fee: $25 (non-refundable)
Booth Fee: $200

For more information and to download the Festival prospectus, please visit (www.artsathemill.com) or e-mail to (info@artsatthemill.com).

Monster Drawing Rally Returns to the North Carolina Museum of Art in Raleigh, NC, Aug. 25, 2017

July 30, 2017

The second annual Monster Drawing Rally, featuring more than 70 artists at all stages of their careers taking shifts to draw for an hour in front of a live audience. As spectators spy on the creative process, sketches morph into full-fledged works of art. Finished drawings are immediately available for $50 each. DJ Forge will be spinning beats, and a variety of food trucks will be on hand. The evening also includes a collaborative art project sponsored by Flight Fund.


View from past event

Monster Drawing Rally makes art more accessible as a way to view new talent, interact with North Carolina’s artistic community, and support NCMA programming. Inspired by the San Francisco artist-centered nonprofit Southern Exposure, whose mission is to show support to local artists, we’ve adopted this fund-raising idea to bring North Carolina artists to the Museum for a night of creating, mingling, drinking, and fun.

Artists include Ben Shafer, Miriam Zimil, Drew Hill, Greg Baldwin, Kiki Farish, Maya Freelon Asante, Rio Aubry Taylor, Sean Kernick, Marx Myth, Bart Cusick, and more.

Food trucks include The Parlour, Stuft, Flirting with Fire, Bulkogi, and Soomsoom Pita Pockets.

The event takes place in the East Building at the North Carolina Museum of Art, 2110 Blue Ridge Road in Raleigh, NC, Friday, Aug. 25, 2017, from 5:30 to 9pm.

Tickets: $5 for members, $10 for nonmembers, free for children under 6 with ticket. Purchase online or through the Box Office at 919/715-5923

The NCMA hosts a special related event, ArtCast Live Podcast, on Thursday, August 3, featuring artists from the Monster Drawing Rally and local podcasters Jen Dasal, NCMA associate curator of contemporary art (ArtCurious) and Jeff Bell, host (Don’t You Lie to Me). The event is free with ticket. The ArtCast Live event is also the debut of the Art-o-Mat art vending machine. For $5, attendees can get a unique piece of art, dispensed through a one-of-a-kind vintage vending machine. Learn about the podcast hosts and artists on the Museum site.

For further info visit (http://ncartmuseum.org).